Majestic play: Khaldoun Hijazin
On the evening of the 16th of July, Wadi Finan Gallery hosted artist Khaldoun Hijazin’s first solo exhibition, Majestic Play, which will run until the 4th of August. Under the patronage of HRH Princess Rajwa Bint Ali, the paintings on display are rendered in a traditionally representational style, although the subject matter is decidedly modern. Hijazin’s style is characterized by Rococo sensibilities tinged with satire, and while some of the older works on display are thematically inclined towards the socio-political, the artist’s newer work approaches the metaphysical and transcendental.
Although Majestic Play is Hijazin’s first solo show, he had co-curated and participated in a group exhibition called Empathy and Craft in the 21st Century just last August at the Jordan National Gallery of Fine Arts. The show had concluded a series of collaborative workshops exploring the concept of intersectionality through 2D, 3D, and 4D media. A similar social-mindedness is evident in Hijazin’s earlier paintings presented as part of Majestic Play, featuring the fictional figure of “Shoeman;” a print of Hijazin’s oil painting, Portrait of Shoeman, created by the Boston-based print company, Trifecta Editions, hangs among acrylic paintings depicting the whereabouts of the shoe-faced mogul. In a jet-black suit and an authoritative red tie, Shoeman seems to embody corporate corruption, and Hijazin’s portrayal thereof destabilizes conventional capitalist control dynamics through the art of caricature.